I currently play with the Dirty Mother String Band, performing bawdy blues and jazz in the tradition of The Copulatin' Blues Review, and Everstill, a Brooklyn-based alt-rock group led by vocalist Sara Aridi.

I also perform regularly with the New York Repertory Orchestra, playing repertoire ranging from early music to contemporary compositions, including many world premieres and NYRO commissions, and with an emphasis on neglected masterpieces from the orchestral repertoire.

I'm a strong reader that's equally comfortable playing by ear, and I have experience performing in many musical styles. I'm a strong doubler on both upright and electric bass, and I'm proficient on acoustic guitar, ukulele, and piano as well. I'm happy to travel throughout the northeast, and I'm open to touring! 

I also teach upright bass and music theory from my sunny music room.

Theater

• Big Fish, Hackmatack Playhouse, 2025 (upcoming, ME), upright/electric bass

• The Prom, Footlight Club, 2025 (MA), upright/electric bass

• Matilda, Clayton High School, 2025 (NJ), upright/electric bass

• Spring Awakening, Yorktown Stage, 2024 (NY), upright/electric bass

• Seussical, Narrows Community Theater, 2024 (NY), electric bass

• Menkin's A Christmas Carol, Narrows Community Theater, 2023 (NY), upright bass

• Annie Bacon's Folk Opera, Beacon NY 2021 (NY), upright bass

• Spring Awakening, University of Florida, 2016 (FL), upright/electric bass

• Phantom of the Opera, University of Florida and Riley Arts Center, 2016 (FL), upright bass

• Sweeney Todd, University of Florida, 2015 (FL), upright bass

• The Drowsy Chaperone, University of Florida, 2014 (FL), upright bass

• Guys & Dolls, University of Florida, 2013 (FL), upright bass

• Urinetown, University of Florida, 2012 (FL), upright bass

Orchestra

• New York Repertory Orchestra, 2019-present

• Brooklyn Conservatory Orchestra, 2023

• Seattle Philharmonic Orchestra, 2017-2019

• Ocala Symphony Orchestra, 2012-2016