I currently play upright with the Dirty Mother String Band, performing bawdy blues and jazz in the tradition of The Copulatin' Blues Review, and electric bass and backing vocals with Everstill, a Brooklyn-based alt-rock group led by vocalist Sara Aridi.
I also perform regularly with the New York Repertory Orchestra, playing repertoire ranging from early music to contemporary compositions, including many world premieres and NYRO commissions, and with an emphasis on neglected masterpieces from the orchestral repertoire.
I'm a strong reader that's equally comfortable playing by ear, and I have experience performing in many musical styles. I'm a strong doubler on both upright and electric bass, and I'm proficient on acoustic guitar, ukulele, and piano as well. I'm happy to travel throughout the northeast, and I'm open to touring!
I also teach upright bass and music theory from my sunny music room.
Primary: upright bass, bass guitar, synth bass
Secondary: guitar, ukulele, piano
Aspiring: sousaphone, mandolin
Broadway/Touring
Six The Musical, Lena Horne Theater, 2026, electric bass (sub)
MD: Meg Zervoulis
Elf The Musical, National Tour, 2025, upright/electric bass (chairholder) Playbill
MD: Charlie Yokom
Music Supervisor: Nate Patten
Crossroads Live
College
Mean Girls, NYU Tisch, 2026, upright/electric bass (chairholder)
MD: Melody Valdez
Titanic: The Musical, NYU Tisch, 2026, upright/electric bass (sub)
MD: Brian Walters
Natasha, Pierre, and the Great Comet of 1812, Columbia University, 2026, upright bass (chairholder)
MD: Emily Goggin
Percy Jackson's The Lightning Thief, St. John's University, 2025, electric bass (chairholder)
MD: Thomas Conroy
Spring Awakening, University of Florida, 2016 (FL), upright/electric bass (chairholder)
MD: Tony Offerle
Phantom of the Opera, University of Florida and Riley Arts Center, 2016 (FL), upright bass (chairholder)
MD: Matthew Wardell
Sweeney Todd, University of Florida, 2015 (FL), upright bass (chairholder)
MD: Tony Offerle
The Drowsy Chaperone, University of Florida, 2014 (FL), upright bass (chairholder)
MD: Tony Offerle
Guys & Dolls, University of Florida, 2013 (FL), upright bass (chairholder)
MD: Tony Offerle
Urinetown, University of Florida, 2012 (FL), upright bass (chairholder)
MD: Tony Offerle
Regional
Holiday Inn, Curtain Call (CT), 2025, upright bass (sub)
MD: Benjamin Doyle
Big Fish, Hackmatack Playhouse (ME), 2025, upright/electric bass (chairholder)
MD: Emily Zentis
Off-off Broadway/Community/High School
Starcadia, artXnyc, 2026, electric bass (chairholder) BroadwayWorld Announcement
MD: John-William Gambre
Hadestown, Stonehouse Theater, 2025, upright bass (chairholder)
MD: Steve Weber
The Prom, Footlight Club (MA), 2025, upright/electric bass (chairholder)
MD: Evelyn Tomaro
Matilda, Clayton High School (NJ), 2025, upright/electric bass (chairholder)
MD: Kevin Gehringer
Spring Awakening, Yorktown Stage, 2024, upright/electric bass (chairholder)
MD: Ricky Romano
Seussical, Narrows Community Theater, 2024, electric bass (chairholder)
MD: Joshua Eiger
Menkin's A Christmas Carol, Narrows Community Theater, 2023, upright bass (sub)
MD: Ethan Smith-Cohen
Gilbert & Sullivan's Ruddigore, Blue Hill Troupe, 2026, upright bass (chairholder)
MD: David Schmidt
New York Repertory Orchestra, 2019-present
Brooklyn Conservatory Orchestra, 2023
Seattle Philharmonic Orchestra, 2017-2019
Ocala Symphony Orchestra, 2012-2016
Aaliyana Garcia: Onto The Next Chapter, Green Room 42, 2026
MD: Aidan S. Wells
A Dream Is A Wish, Molloy University, 2026
MD: Aaron Gandy
Snow Angel: A Night of Renee Rapp, Green Room 42, 2026
MD: Matthew Zwiebel
Recycled, Green Room 42, 2025
MD: Jaz Koft
Freedom Riders: The Civil Rights Musical In Concert, Aaron Davis Hall, 2025, electric bass BroadwayWorld Announcement
MD: Ahmed Alabaca
“Definitely Not!”, Reverie Room, 2025
MD: Irene Westfall
Director: Benjamin Beardon
Knockin' Boots: A Night of Queer Cowgirls, Triad Theatre, 2025 BroadwayWorld Review
MD: Ashley Grace Ryan
Chorus Girl Productions
Broadway Boombox, Green Room 42, 2025
MD: John Byrd
Annie Bacon's Folk Opera, Beacon Bonfire, 2021, upright bass
sight-reading, improvising, playing with click, lead sheets, p/v scores, sheet music, pedals, pick/plectrum